Modern Opulence in Vienna: The Wittgenstein Vitrine reveals the results of an intensive research and conservation program by exploring the conservation effort and charting the context and history of this masterwork’s design and fabrication, iconography, and provenance. The exhibition also presents new perspectives on designer Carl Otto Czeschka, his work for the Wiener Werkstätte, and the important patronage of the Wittgenstein family.
Spirit and Matter: Masterpieces from the Keir Collection of Islamic Art is the first exhibition at the DMA of art from the rarely shown and internationally renowned Keir Collection of Islamic Art. The exhibition presents a selection of over fifty masterworks in various mediums and explores thirteen centuries of Islamic art making across three continents, from Spain to Central Asia.
The great 17th-century Dutch painter Johannes Vermeer created fewer than forty paintings during his lifetime, and Young Woman Seated at a Virginal from 1670–72 is one of his last. This masterpiece is the inspiration for the DMA exhibition Vermeer Suite: Music in 17th-Century Dutch Painting, which includes seven additional loans from the Leiden Collection of works by Vermeer’s contemporaries.
| Barrel Vault and Hanley, Lamont, Rachofsky, and Stoffel Galleries
Passages in Modern Art: 1946–1996 brings together objects from the DMA’s acclaimed contemporary collection, including recent acquisitions, rarely seen works, and newly conserved paintings and sculpture.
The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the citizens of Dallas through the City of Dallas Office of Cultural Affairs, and the Texas Commission on the Arts.