Michael Fried, art critic, joins Gavin Delahunty, The Hoffman Family Senior Curator of Contemporary Art and curator of Jackson Pollock: Blind Spots, for a conversation about the significance of Pollock's black paintings within his practice. The black paintings, created between 1951 and 1953, showcase Pollock's broader ambitions as an artist and were a radical departure from his previous work.
November 11, 2015
Image: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel on canvas, Museum of Modern Art, New York, acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rockefeller Fund, © Pollock-Krasner Foundation/Artists Rights Society (ARS), New York and DACS, London 2015
- Exhibition and Other Lectures