Dr. Nancy Ramage, Charles A. Dana Professor of the Humanities and Arts Emerita at Ithaca College, speaks about the multilayered history of one of the DMA's newest acquisitions, a marble bust of Herakles that reveals the talents of three artistic hands. As a pastiche of two antiquities rendered by Rococo sculptor Lambert-Sigisbert Adam, this work joins a small group of Roman sculptures at the DMA and offers lessons about Greek religion, Roman military commemoration, and the 18th-century restoration of ancient statues for the benefit of wealthy patrons.
Jeremy Johns, Professor of the Art and Archaeology of the Islamic Mediterranean and Director of the Khalili Research Centre for the Art and Material Culture of the Middle East at the University of Oxford, and Dr. Elise Morero, Researcher with the Centre, will discuss the processes and provenance behind the seven known Fatimid rock crystal ewers from Egypt.
What did it mean to dine splendidly in the late pre-Columbian Andes? What distinguished an elite repast from an ordinary one? What does the archaeological record tell us about cooking, cuisine, and power relations during the time of the Inca? Dr. Tamara L. Bray, Professor of Anthropology at Wayne State University, looks at the different foodstuffs, methods of preparation, and forms of consumption found within the Inca Empire, and the important role of food and feasting in the negotiation of power and state politics during the late pre-Columbian era.
See ancient sculptures in a whole new way through the eyes of hairdressing archaeologist Janet Stephens. A hairstylist by trade, she began researching ancient hairstyles after a chance visit to the Walters Art Museum in her native Baltimore inspired her to re-create the ancient hairstyles of several Greek and Roman busts. Join her for a look at how ancient Greeks and Romans created elaborate and beautiful hairstyles without hairspray, bobby pins, or even shampoo!
Renowned journalist and author Roger Atwood has traveled the world writing on the loss of cultural heritage to looters and the black market. Join him to explore the issues surrounding the global traffic in stolen archaeological objects, including how archaeology is coping with these losses and the state of these issues today. Atwood is a contributing editor at Archaeology and a London correspondent for ARTnews. Atwood is also the author of Stealing History.
This lecture is sponsored by the Boshell Family Lecture Series on Archaeology.
Ghosts have always captured our attention as primarily visual phenomena. For the Greeks, Etruscans, and Romans, ghosts were not only described with a visually inflected vocabulary, as apparitions and specters, but were also, and more specifically, regarded as images, whether artistic, optical, or perceptual. Join Dr. Patrick R. Crowley, Assistant Professor of Art History at the University of Chicago, for a look at pictures of ghosts from a range of media and historical periods, including Greek vase painting, Etruscan tomb murals, and Roman sarcophagi.
Join Dr. George Saliba, professor of Arabic and Islamic science at Columbia University, for a talk focused on the ritual of Islamic prayers, influenced greatly by light and shadow. Presented by the Boshell Family Lecture Series on Archaeology.
Dr. Anne Bromberg, The Cecil and Ida Green Curator of Ancient and Asian Art, takes a closer look at the intricacies of Islamic architecture throughout the world in conjunction with the special exhibition Nur: Light in Art and Science from the Islamic World. Presented in partnership with the Boshell Family Lecture Series on Archaeology.
Originating in Africa, the precious dye indigo has a long and varied heritage. Its relationship to slavery, profound influence on fashion, and spiritual significance are all part of an untold story, filled with tales of those who shaped the course of colonial history and a world economy. Author of Indigo: In Search of the Color That Seduced the World, Catherine E. McKinley provides a closer look at this familiar, yet still mysterious, color that appears everywhere from African garments to today’s fashion shows.
In the summer of 64 B.C., Marcus Cicero, the greatest orator in Roman history, was running for the office of consul, the most powerful position in government. Because he was facing long odds of winning, his practical brother Quintus wrote a guide for him full of no-nonsense advice and dirty tricks that are as useful today as they were two thousand years ago. Dr. Philip Freeman, Professor of Classics at Luther University, discusses his translation of this little-known Latin text.
The Dallas Museum of Art is supported, in part, by the generosity of DMA Members and donors, the citizens of Dallas through the City of Dallas Office of Cultural Affairs, and the Texas Commission on the Arts.